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Christina Stead’s novels have been translated into a number of languages, mainly
European ones. I know of twelve such translations, five into Italian, three into
French, two into German, and one int...
There has been no scholarly attention directed to Christina Stead’s representation
in her novels of China and the Chinese.1 Indeed, the poet and scholar Ouyang
Yu, translator of The Man Who Loved Ch...
Christina Stead’s Workshop in the Novel: How to Write a “Novel of Strife”
Australian Literature Novel of Strife Workshop
2008/10/22
Christina Stead was a Marxist who, at times, publicly endorsed Stalinist views on
art. Yet her novels do not conform to the rigid paradigms of socialist realism, and
they often criticize Marxist cha...
Whatever Happened to Coppelius? Antecedents and Design in Christina Stead’s The Salzburg Tales
Australian Literature Antecedents Design The Salzburg Tales
2008/10/22
No work of Christina Stead’s has divided commentary more than The Salzburg
Tales. Contemporary reviews were overwhelmingly positive, with the Times Literary
Supplement saluting it as evidence of a “...
Christina Stead’s Last Book: The Novel and the Best-Seller
Australian Literature Last Book Novel the Best-Seller
2008/10/22
It is an intriguing feature of Christina Stead’s novels that her protagonists often
produce literary works that are consonant with their character and talents. This is
especially notable with her wo...
Crossing the Rubicon: Abjection and Revolution in Christina Stead’s I’m Dying Laughing
Australian Literature Dying Laughing Christina Stead's
2008/10/22
When Stalin died in 1953, Christina Stead wrote to her brother Gilbert about
the great event, “so strange and so close to millions!” She remarked that, though
to some Stalin was an “anti-Christ,” “t...
Christina Stead and the Synecdochic Scam: The Little Hotel
Australian Literature Christina Stead Synecdochic Scam Little Hotel
2008/10/22
In this essay celebrating Christina Stead’s Centenary, I first review American Stead
scholarship, as I’ve personally participated in it, before performing a close reading
of The Little Hotel.1 My ar...
Christina Stead would have turned 100 on 17 July 2002. It is idle—but
irresistible—to speculate what kind of occasion Christina might have preferred to
celebrate her centenary. Though her husband, ...