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平顶山学院英语视听说课件Book3Unit11 The Cinema
Pictures and cinema seen at a slant present the optics of virtual objects that are distorted and incon-sistent with their real counterparts. In particular, it should not be possible for moving objects...
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis.
It is said that the movies, and more recently TV, are a school in which males learn the strategies and discourse of sexual engagement. How much more complex the situation has become in the last few de...
This dissertation analyzes the post-conflict cinema in the region of the former Yugoslavia, and the way that this particular form of cultural production establishes affective regimes within which bear...
This essay explores the subject of the aversion of intellectuals to the market economy through a study of the Italian cinema of the early 1960s. The impact of Italy's ‘economic miracle’ on coeval cine...
The essays gathered together in the anthology Youth Culture in Global Cinema investigate the ways in which film texts from a variety of national cinemas construct the concepts of adolescence and adole...
This collection of fifteen essays focuses upon a range of films that invites the question as to how each contributor understands the rubric of both "queer" and "British". As Kenneth MacKinnon observes...
Todd Haynes is presently one of the most innovative and talented American film directors. His latest film, I'm Not There (2007), is a complex meditation on the seminal singer/songwriter Bob Dylan. Hay...
Stuart Hanson's chronicle of a cinema exhibition trade persistently held back by the conservatism, lack of foresight and limited adaptability of its major operators amounts to such a damning indictmen...
Editor Jeffrey Sconce's Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics collects together current thinking on lowbrow or 'trash' cinema from a selection of noted academics in the f...
It seems that Japanese cinema has long been a staple of non-Western film studies, but the majority of scholarship has typically focused on the work of a few canonised directors. The Western market for...
Conley draws upon the literary theories articulated by the deconstructionists (Derrida, Foucault, Chomsky), psychoanalytic tradition (Freud), and the philosophical approach to cinema as articulated by...
In the late 1950s, Joseph E. Levine achieved national prominence in the US due to the phenomenal success of Hercules (1958) and its sequel, Hercules Unchained (1959), two low-budget peplum films he ha...

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