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Responding to pre-requests: The organisation of hai x ‘do you have x’ sequences in Italian
Requests Pre-requests Interrogative Italian Preference
2015/12/21
Among the strategies used by people to request others to do things, there is a particular family defined as pre-requests. The typical
function of a pre-request is to check whether some precondition o...
This article describes the interactional patterns and linguistic structures associated with other-initiated
repair, as observed in a corpus of video recorded conversation in the Italian language (Ro...
Professor Dan Edelstein,Department of French and Italian at Stanford University(图)
Department of French and Italian at Stanford University Professor crossroads of literature
2015/7/15
Professor Hans Ulrich Gumbrecht,Department of French and Italian at Stanford University(图)
Department of French and Italian at Stanford University Professor Comparative Literature
2015/7/15
Professor Robert Pogue Harrison,Department of French and Italian at Stanford University(图)
Department of French and Italian at Stanford University Professor Italian
2015/7/15
Professor Joshua Landy,Department of French and Italian at Stanford University(图)
Department of French and Italian at Stanford University Professor Comparative Literature
2015/7/15
Professor Carolyn Springer,Department of French and Italian at Stanford University(图)
Department of French and Italian at Stanford University Professor Renaissance nineteenth-century literature cultural history
2015/7/15
Associate Professor Laura Wittman,Department of French and Italian at Stanford University(图)
Department of French and Italian at Stanford University Associate Professor Italian and French literature
2015/7/15
Laura Wittman primarily works on 19th- and 20th-century Italian and French literature from a comparative perspective. She is interested in connections between modernity, religion, and politics. Much o...
A quantitative investigation of the prosody of Verum Focus in Italian
Italian Verum focus prosody functional data analysis
2015/4/10
In this study we present a preliminary investigation of the
prosodic marking of Verum focus (VF) in Italian, which is
said to be realized with a pitch accent on the finite verb (e.g.
A: Paul has...
Questioning and responding in Italian
Italian Question Interaction Recognizability Rising intonation Social action
2015/4/8
Questions are design problems for both the questioner and the addressee. They must be produced as recognizable objects and must be comprehended by taking into account the context in which they occur a...
The article concentrates on the question of the composition, the internal ordering and the placement of clitic-clusters (C-clusters) in French and Italian, though clitic data from other languages are ...
Syllabic Effects in Italian Lexical Access
Syllable Lexical access Spoken word recognition Cross-modal priming Italian
2015/4/7
Two cross-modal priming experiments tested whether lexical access is constrained by syllabic structure in Italian. Results extend the available Italian data on the processing of stressed syllables sho...
ISLANDS OF RELIABILITY FOR REGULAR MORPHOLOGY: EVIDENCE FROM ITALIAN
RELIABILITY REGULAR MORPHOLOGY ITALIAN
2014/11/26
The representation ofregular morphological processes has been the subject ofmuch controversy, particularly in the debate between single and dual route models ofmorphology. I present a model ofmorpholo...
Statistical Generalizations in the stress distribution of Italian and Spanish
Statistical Generalizations he stress distribution Italian Spanish
2014/11/12
It is well known that both Spanish and Italian confine stress to a three-syllable window at the right edge of the word.
"A Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella
A Music Unquestionably Italian in Idiom Nationalism an Evolutionary Process the Music of Alfredo Casella
2014/10/20
Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided into three stylisti...