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Der Autor stellt die Frage, warum eine so große Lücke klafft zwischen dem rhetorischen Ideal des guten Vortrags und der grauen Realität der alltäglichen, suboptimalen Durchschnittspr&a...
“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers
Anthony Braxton Notations Synaesthetic Ideal Improvisers
2008/10/27
In this article I look at some of the visual elements in Anthony Braxton’s music and examine how he uses graphic and symbolic notations in particular to initiate fresh approaches to improvisation.
From Ideal to the Real :American Literature in the Post-Civil War Era: A Study
Ideal the Real American Literature Post-Civil War Era A Study
2010/9/29
In the history of the United States, the years following the Civil War symbolized a time of healing and rebuilding. However, for those engaged in serious literary circles that period was full of uphea...
The Ideal Four Minutes and Thirty-Three Seconds: Response to Covach
Covach Heidegger phenomenology fundamental ontology hermeneutics structure
2010/4/22
[1] When Cage composed *4'33"*, he composed the physical
background which informs all musical experience; the noise
which is the degree zero and condition of possibility for any
musical experien...