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[1] There is a growing number of textbook choices for instructors of sixteenth-century counterpoint courses. This growth is good because it allows for several different approaches, depending on what t...
The third movement of Thomas Adès’s string quartet Arcadiana features a complex, free textural counterpoint that seems resistant to the transformational analysis of the common sort that focuses, as do...
[1] About thirty years ago I attended a lecture in which Bach's experience as a Latin teacher was adduced to show that he would have been aware of rhetorical strategies and used them in his music. I w...

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